One January as the Minnesota Center for Book Arts Artist-In-Residence, my chilly fingers worked to examine the fine print of the credit card offers, mix inclusions into abaca fibers, set metal and wood type, and edition the obfuscating text in leather-bound minature books.
With piles of unsolicitated credit card offers in hand, a good deal of debt, a ponzy scheme well underway, and a printing press I focused my attention on the possible arrangements in that fine print and who conrols them.
